So, Now What?

I’ve finished a full novel. It’s been edited to the best of my ability — four times. It’s been through two rounds of beta reading, (a total of 23 readers). I’ve checked and back-checked the details, the storyline, and the wording. Now it sits on the desk of the editor I’ve contracted to find the things I’ve missed, and to take me to task for all of the rules I intentionally ignored, but may not have pulled off.

So, now what? While I wait for the editor’s report, I can take some time to pat myself on the back, relax and celebrate. Okay, that took up about ten minutes. Now what do I do?

I’m all off kilter. For two years I’ve worked my heart out on this book. Every day there was something to write, research or prepare. Add all of the writing groups and blogs, the anthology I put together and published, and the promotions on that. I made several trailers for this book, a webpage, a Facebook fan page, a Google account, and signed up to Twitter. I joined Goodreads, and created an author page on Amazon. I’ve already given away numerous copies of the upcoming ARC, and contacted a plethora of reviewers…

For the past two months I’ve concentrated on editing and beta reports. I ducked out of all the writing groups, excused myself from my bi-weekly guest blog, and posted “Do Not Disturb, I’m disturbed enough already” signs on all my social networks. Now that the novel is out of my hands, I can’t seem to get up the energy to re-engage. Even though I’ve been dying to get to my huge “to be read” pile, I just can’t immerse myself in a book. I keep thinking I should be writing. I piddle around on the social networks, during the day, but my heart isn’t fully in it. I’m lost. I need a map.

No. What I need is a list, something to get me organized.

Here goes:

Fill out tax paperwork for an EIN/ITIN number, so I can get the full profits from sales. (I’m a Canadian resident, selling through Smashwords and Amazon, which means an automatic 30% holdback unless I have the appropriate paperwork on file.)
Touch base with all ARC recipients to arrange emailing/shipping of their copies.
Touch base with all reviewers to ensure they still have time to read and review the book.
Arrange and discuss the wraparound cover art for print editions, with the designer.
Search for blog hops, interview sites and other promotional opportunities.
Arrange some sort of release party or event for the launch date.
Contact local bookstores regarding the possibilities for stocking, signings or readings?
Arrange with Amazon, Smashwords and Createspace to have the book release simulataneously on all fronts?
Re-check the back cover blurb
Write the acknowledgements
Get started on stripping out and re-entry of formatting
Apply for copyright and ISBN numbers
Look into the Kindlegraph system

I know I’m forgetting something. Even with this list, I’m a bit lost. Which item do I start with? Have I set the release too close? Will I be able to get everything done before the launch?

There’s only one thing I can do, to sort it all out. I’ll stick my head into my little blog window here, and yell, “Heeeeeeeeeelp!”

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Romance, It’s a Scary Thing

It’s almost time for me to try to once again flex my own, very underused, romance writing muscle again. As such now seems as good a time as any to remember what I’ve learned over the years about what not to do when writing a romantic scene.

Brevityis the Soul of Passion

Not literally! It’s just that when it comes to the language you’re using to describe the action, get right in there and don’t be afraid to call a spade a spade.

For example don’t take a concept like “orgasm” realize it’s sometimes called a “small death” and then inflate it to “the tiny killing moment.” You’ve gone from concise to so verbose the point is lost along the way.

Everyone Loves a Tease

You want to ramp up tension and desire from as early of a point in your novel as possible – and then you want to hold off on your scene as long as you think you can get away with – until it all comes together with explosive force. By the time your characters come together to bump uglies your readers should be a nervous wreck of displaced desire.

Avoid Cliches

This one is always on a writer’s mind and as such you’ll probably already have a feel for what is and what is not yet a cliche. Don’t be so dogged in your search to avoid cliches that you think you have to invent a new way to describe something (like a kiss, a fuck, or a leather clad rubber duck) that’s pretty common but do avoid using something over again that’s already been used so often it’s synonymous in your mind with a bad joke. Definitely avoid anything like “his throbbing member,” just do.

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Filed under Romance, Thoughts on Writing, Y K Greene

The Heir – from the Portal series

I’ve been slack on here, but sometimes life just takes over and the internet gets shoved to one side. I moved house, lost my internet connection for several weeks and was swamped in packing, moving and then unpacking. Oh, and finding schools, doctors, banks, shops, all those little essentials that need to be sorted out.

Somehow, in amongst all that, I managed to find the time and space to finish a new short story, which was just released.

The Heir.

The Heir - from the Portal seriesHeavily pregnant, her magic waning, and the life of her unborn child threatened by her consort, Lilith flees her home to seek the aid of her sister. Heather has been in hiding and only Lilith knows where she is or how to reach her.

Heather holds the healing magic that Lilith needs and Heather lives in the one place where Lilith’s unborn child might be safe. Continue reading “The Heir – from the Portal series” »

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Stretching the Creative Muscle

Being in the middle of technical editing on my manuscript, has left me a little starved for some creative freedom. On top of the editing, and beta reading for others, I’ve missed two of my favourite, weekly free-writes. So, I’ve decided to make today’s post all about creativity, and inspiration.

My Writer’s Craft instructor had several fabulous exercises for stretching the “creative muscle”. I’m going to share one with you today, and the resulting piece of writing. The instructor’s favourite tool for this exercise was a set of children’s alphabet cue cards. Another method was to have each student write something random on a slip of paper, and draw several from a hat, writing them on the blackboard.

Having neither a set of cue cards, nor a class to draw from, I went instead to one of the many Facebook writing groups I participate in occasionally. I asked them several questions to get the elements of a story. Here are the questions:

What would you name a child, if you could choose the name? — What age would you pick to remain at forever? — Give me a place you could find in any town. — A colour, a shape and a time of day? — Three emotional states of being? — (And since one of the answers contained a dog, specifically a Collie): a name for the dog?

I have to thank Ginny Scales Medeiros, Astrea Baldwin, Lindsay Downs and Nechole Jacobs for supplying me with the answers:

April & Shelby — 32 & 26 — a park fountain on Main St. & a puppy park with my Collie — pink, round, sunset & blue, round, noon — panic, satisfied, relaxed & melancholic, peaceful, hysterical —Cassie

Now, the class instructor would choose five prompts, allowing us to pick three, to incorporate into a cohesive piece of writing. We had one hour to write the piece, and one half hour to edit, before turning in the assignment. Extra marks were given if the story included all five items.

Since I’m no longer limited to class schedules, I decided to challenge myself.  I gave myself five hours to write a piece including all of the provided elements, edited.  I began writing at eleven o’clock last night. Broke at three minutes after midnight, and resumed writing at ten o’clock this morning.  I finished the writing at 12:20 p.m. After a single pass at editing, (another fifteen minutes), I stopped myself.

Please forgive any typographical mistakes or technical errors. I haven’t titled the story, either. I hope you enjoy it, and perhaps you’ll try the exercise yourself. I did challenge a few others to try it. I’d love to see the results!

Here is my 1462 word short:

By some sort of miracle, April had cleared her inbox by noon. In her five years at the tiny, family owned accounting firm, that had never happened to her. To be honest, she was at a loss for how to fill the time until they locked up. She should have known Kendra would be tracking her progress.

“It’s a gorgeous summer day!” The raven-haired diva chirped from the doorway. “Take the afternoon off, and take that puppy of yours out to play.”

Before April could respond, Kendra had flounced off, her stilettos clacking on the tile, in time to the chiming of the twenty or more silver bangles she always wore.

April shook her head. Cassie was far from a puppy, for all that she was still full of mischief. At ten years old, her poor hips were beginning to ache, and damp or humid days would set her limping. She still loved a good romp at the Dog Park though, and with the air so dry the past week, she should be feeling good enough to indulge. April smiled to herself as she packed her briefcase.

Strolling home, April felt her shoulders expand, as tension she didn’t realize she had faded. It really was a perfect day. The air was warm enough for shorts, with an occasional fresh breeze. Yes, Cassie would have the most fun she’d had in weeks!

 

Shelby sat on the lip of the park fountain and stared at the quaint shops, on a Main Street swarming with tourists, as if staring at them long enough would help him absorb their charm and whimsicality. When he was young, the concept of immortality was exciting, but being stuck at thirty-two years of age had lost its allure after the first one hundred years. Watching everyone and everything around him wither and die, had driven him to the brink of psychosis. By the time he’d endured one hundred and fifty summers of immortality, he longed for death. As of sunset that evening, he would be two hundred and thirty-two years old, yet still only thirty-two.

It was his own fault. Silas had warned him against the woman, after all.

“She’s a witch, Shel. I know she’s beautiful, but she’s dangerous. Don’t let her get you with her spells.”

“Every beautiful woman is accused of witchcraft Silas.” Shelby had scoffed. “That woman is no more a witch than I am a Saint.”

But Silas had been right. He’d pursued the witch-woman and she’d tricked him into accepting her spell.  It had seemed so simple. A cross scratched into his chest with a fingernail, a drop of blood from her pricked finger traced over the wound. A kiss from her gorgeous lips to bind their blood, just there, over his rapidly beating heart.

She hadn’t told him his heart would stop beating.  He’d panicked then, gaping like a fish and clutching at his chest. He hadn’t expected his lungs to collapse, or the blood in his veins to crystallize. Had she poisoned him? Was he dying?

“Do not fight the change.” She crooned to him as she stroked his hair. He was on the floor somehow, his head cradled in her lap. “The blood and breathe will return to you. Your heart will beat again, and it will beat forever, until you find someone to pass this curse to.”  As the murky waters of unconsciousness rose over him, he’d become silently hysterical.  She’d called it a spell, the blessing of eternal life without death, but he was dying! When had it become a curse? A swimmer against the current, his mind struggled to rise above it, and failed.

When he’d returned from death, she was gone. He’d thought they would share their everlasting lives. Her body, the forearms slashed from wrist to elbow, floated in the creek outside the house. She had found her peace in her release. He was alone. He could ask her no questions about this curse of a blessing she’d bestowed upon him.

For fifty-two years, he’d searched for another like him, to no avail. Shelby had spent the last forty-three years searching every myth, religion and magical tome he could find, looking for the key to his release. Yesterday he had found the solution. Today he was as hopelessly cursed as he had always been.

In two hundred years he had not found the kind of love described in the grimoire.  Without a soul-mate to release him, he had to resort to the other option. He must seduce someone the way he had been seduced. Shelby wondered how long it would take him, to overcome his conscience enough, to resort to that depth of guile.

The sunlight was beginning to fade, as its source dipped out of the blue sky. A band of crimson formed along the horizon. Sunset was upon him, and mortality just as elusive as when he’d chosen this spot for his melancholic reflection.

As he stood to leave, a small pink ball bounced out of the park behind him, rolling to a stop at his feet. He picked it up, and heard a joyful bark as a dog lunged through the bushes separating the town gardens from the dog park.

She was a gorgeous dog, a Sable Rough Collie with a mischievous grin, and she was rushing at him unchecked.

“Cassie!” The woman’s voice was a little breathless, and full of command, with a hint of laughter.

The collie skidded to a stop on the grass, sat on her haunches, cocked her head to the side and grinned at him. Her mouth dropped open in a pant. She looked so loveable, Shelby allowed himself a rare chuckle. It died in his throat as the woman rounded the bushes and stormed into view.

Even with her unadorned face flushed with exertion, and what appeared to be anger, the woman was stunning. Her long hair escaping a loose ponytail, and her rumpled, grass stained clothes, only enhanced her fresh beauty.  Here, he realized with a jolt of sweet pain, was his key.

 

April’s only concern was catching Cassie before the local dog catcher did.  As she ran through the town’s garden park, she prayed Cassie wouldn’t dive into the fountain. Damn the council, and their “money-saving” decisions!  Anyone with half a brain knew a hedge was not enough to keep the dogs safely in the dog park.  If she had to start a petition for proper fencing, she would.

She heard Cassie bark as she emerged from another bush, and felt a momentary despair at the thought of how much brushing she’d need to do later.

“Cassie!” The command took nearly all of her breath.

The relief, when she came around the bushes to see the dog obediently waiting for her, drained all the anger from April in an instant. A man stood, not two feet in front of Cassie, holding her pink ball, and staring at April with a stunned expression.

He looked like the dark, brooding type, and he was quite handsome. April was suddenly self-conscious about her own appearance. She must look a fright. Forcing her muscles to relax, she stepped between Cassie and the man.

“Thank you for catching that.” She said, trying to keep from panting louder than Cassie. “I don’t think she’d have chased it into the road, but I’m so relieved not to have to find out for sure.”

The only sounds, for a moment, were the traffic on the street behind him, the bubbling of the fountain and Cassie’s panting. She looked into his eyes then, and April could swear she heard his heart pounding. It must be her own heart, she reasoned. The strange compulsion to reach out to him frightened her.  She’d done so, before she could stop herself, and then turned her hand over, to make the gesture a request for the ball. He handed her the ball in continued silence, never taking his eyes from hers.

Cassie nudged the back of her knees impatiently, with her nose.  It nearly broke the spell, but then he spoke.

“My great pleasure, Miss …” His deep voice was midnight and starlight, with the warmth of a campfire. His blue eyes were ice and moonlight.  She was fascinated. She was captivated.

“Spencer. April Spencer.” She heard Cassie whine softly.

“So nice to meet you, April. I’m Shelby Wallace”

She loved the way he said her name. April nearly missed the hand extended in greeting. When she put her own within it, the enthrallment was complete.

“If you don’t mind — How old are you, April Spencer?” Need and desire crept through the words.

“Twenty-six, Shelby.” His name felt oddly ancient on her lips.

“Ah!” His sigh was oozing satisfaction, relief, and temptation. “To be twenty-six forever.”

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Sifting Out The Truth – Famous Self-Published Authors

I’m late.

This post was due a few days ago, but I ran into some trouble, researching the piece. As an Indie author, sometimes overwhelmed by the three P’s of authorship (Production, Publication and Promotion),  I intended to offer my fellow Indies a motivational article validating their choice to self-publish. However, researching via internet tends to be a bit like panning for gold. You pick a random plot of land, go to work, and pray you don’t come up with Iron Pyrite.

This article was more like trying to separate sugar from salt, with a flour sifter. I’m still not sure whether it was more difficult to verify the real self-published authors, or debunk the myths.  Half of the sites I found seemed to be bent on burying any hint of self-publication, the other half were screaming it to the world, and declaring each author a self-publishing genius.  I tend to follow the Joseph Addison school of thought, “There are three sides to every story — your side, my side, and the right side.” (as printed in The London Spectator, 1711)  Two more days of digging brought me to a more balanced conclusion…

True or False?

James Redfield self-published The Celestine Prophecy

True – Redfield did self-publish in 1992. He gave away nearly 1500 copies of his book, sparking a word-of-mouth campaign, which eventually brought the novel to the attention of Warner Books. Published by Warner in March of 1994, the book quickly climbed to #1 on the New York Times Best Seller List.

Beatrix Potter self-published The Tale of Peter Rabbit

Well… - Potter submitted to six traditional publishers, all of which rejected her. The rejections were, apparently, based on the lack of colour illustrations, so Potter added illustrations and self-published 250 copies of the book. She then resubmitted the illustrated manuscript to a commercial publisher. I could find no evidence to suggest what Potter did with the original 250 copies.  I leave it to you to decide whether this should be counted as a self-publishing success story.

Mark Twain self-published The Adventures of Huckleberry Finn

True, but – Twain had already established his literary legacy with The Celebrated Jumping Frog of Calveras County, his fiction-debut short story that just missed a deadline for inclusion in an anthology. The story was published in The Saturday Press instead, gaining him national attention. The Adventures of Tom Sawyer, and The Prince and The Pauper also preceded Huckleberry Finn. So Twain’s success with the book can be largely attributed to the fact that he already had a broad reader base.

Christopher Paolini self-published Eragon

True – Paolini’s debut novel was published by Paolini International. Now, that would lead you to believe Christopher created his own publishing company in order to lend his self-published novel an air of traditional legitimacy. No, the traditional enthusiasts insist, Paolini International was founded by Christopher’s parents, Kenneth and Talita, in 1997, and had been in business for five years before Eragon made print. Their son began writing in 1998 and Eragon was published in 2002. On the other hand, Paolini International had only published two books, (that I could find), prior to Eragon. Both of these books were non-fiction treatises on modern cults. Kenneth and Talita authored one of the books, and wrote the foreward and afterward for the other. With only these three books available from Paolini International, I think we can conclude that Eragon really was, essentially, a self-published debut that became a resounding success.

Charles Dickens self-published A Christmas Carol

True, but – Like Mark Twain, Dickens had already established a readership, as a traditionally published author, before he chose to self-publish A Christmas Carol. As far as how successful the venture was: financially it ended up being a dud for Dickens. Part of that was his own fault. Dickens insisted the book be produced with a gold stamped cover, and full colour illustrations. He set the price low, so it could be affordable to nearly everyone. Though the book was popular, and sold well, the costs nearly outweighed any profits. After the book was published it was pirated mercilessly. Dickens ended up spending more money fighting the piracy, than he made from the book.

L. Frank Baum self-published

Misleading – L. Frank Baum’s Oz books were published by the George M. Hill company. The only books of Baum’s I could confirm as self-published are Baum’s Complete Stamp Dealer’s Directory (1873) and The Book of the Hamburgs (poultry guide, 1886).  I highly doubt either of those had anything to do with his success as an author of fiction, but again, I leave it to you to decide.

J.K. Rowling self-published

False, but true now – Rowling was turned down by twelve large publishers. Her manuscript was finally accepted by Bloomsbury Publishing. Yes, Bloomsbury calls itself an independent publisher. However, the process seems remarkably similar to traditional publishing, and its site offers no explanation of what it means by “independent”.
Rowling did reclaim control of her publications in 2011, and now produces them herself. Her publisher has become more like her printer, and she continues to use the marketing and promotions services of the major publishing companies, for which she pays them.

Stephen King self-published

Technically true, but also misleading – Stephen King, his brother, David, and best friend, Chris Chesley established a small press called Triad and Gaslight Books, in 1963. This small press published a collection of King’s short stories, and a two part book. However, King did not find success as an author until Carrie was purchased by Doubleday in 1973. King says, in an interview, that he followed the traditional publishing process and “got the usual rejection slips”, until Carrie was picked up. There is no indication that King’s self-published work had anything to do with his later success, as a novelist.

James Joyce self-published Ulysses

True, but  - Joyce was an established, traditionally published poet, and author, when he self-published Ulysses. He’d begun serializing the story in Ezra Pound’s The Little Review, but obscenity laws put a stop to it. To get around the laws, he self-published the book and sold it privately. The real success of Ulysses didn’t come until much later.

John Grisham self-published A Time To Kill

False – Grisham’s words on the subject: ““Wynwood Press was a new, small unknown publishing company in New York in 1989. “Everybody else had passed on A Time to Kill, Wynwood Press took the gamble. Printed 5,000 hardback copies, and we couldn’t give them away. Wynwood later went bankrupt, or out of business.” Grisham ended up buying the unsold stock, which he then sold on his own. It wasn’t until The Firm, The Pelican Brief, and The Client made the best seller lists, that Doubleday picked up the rights to A Time To Kill, and began producing the next run.

Edgar Allan Poe self-published

True – Poe certainly did self-publish much of his early work. He is often held up as a shining example, by vanity publishers, as a self-publishing success story. However, Poe didn’t receive literary recognition until The Raven was published in The New York Evening Mirror, in 1945. He never achieved financial success, though he did scrape out a living strictly as a writer, and is cited as one of the first popular American writers to do so.

Margaret Atwood self-published

True – Margaret Atwood self-published her first book at the age of 22. The book, Double Persephone, was hand set on a flatbed press and went on to win the E.J. Pratt medal for poetry, a Canadian honour awarded by the University of Toronto. Her second self-published book of poetry The Circle Game, earned her the Governor General’s Award for Poetry in 1966, a national honour. Since then Atwood has written 35 books, (20 of them novels), and has been given 55 awards, and 12 honorary degrees.

I chose to finish with Margaret Atwood for three reasons: 1) Her’s is one of the few true success stories I found, other than Amanda Hawking’s.  Hawking’s success is well-known, and well-documented, so I chose to leave it out.  2) I’m a fan, and she makes me proud to call myself a Canadian author. And 3) Atwood said something, during a keynote-speech question-and-answer session, that sums up what I’ve concluded from my research for this post…

When asked how she felt about “a world that allows for self-publishing”, and if she worried if the quality of literary output would become “questionable”, Ms. Atwood responded, “The quality of literary output has always been questionable. People forget that.”  Later she said, “The problem always is, and… it’s a huge problem for a self-published author, how do you get anybody to even know about your book, let alone read it.”

The publishing world is changing daily. The old ways are no longer the only ways. Success, however, is going to require more than dreams, hopes and luck.  To succeed as an Indie author today, you need to be tenacious, hardworking, studious, and flexible. And you need to find, and connect with, your readers.

There are many more examples of writers who are proclaimed self-publishing successes, and are not. There are also many successful Indie authors we haven’t covered here. I won’t try to claim this as a complete list, by any means, but I think it is a realistic sampling of the history of self-publication. Let’s see what we can make of the future.

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Black March

For those of you who don’t know me, I spend a lot of time on Google Plus. I love the relationships, news and information I’ve encountered there. Being on there, I have been informed, enlightened and surprised. At times that surprise isn’t a good thing. It was through google plus that I first learned about the SOPA, PIPA and ACTA bills. All of them have a ‘stop piracy’ lean to them, but they do so at the cost of censoring the internet and invading privacy of the individual. Today, I got a great surprise.

Thanks to the efforts of a handful of incredible people. (Moan Lisa, Shauna Myers, Giuseppe Russo, Gianmario Scotti) I have learned about an effort to support, feature and encourage an open market by supporting the independent authors, artists and musicians around the world. The goal of Black March is to show the major individuals that influence how and where we purchase our entertainment, that we won’t tolerate their pushing the little guy out of the picture. I think this is a fantastic movement and I know I’m personally committing to the supporting Black March.

The best way to show your support for this movement is to purchase your entertainment this month from Independent Artists in all areas of entertainment. Take a moment and read a new author, support a new musician, and share your experiences with the world.

 

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Filed under Catrina Taylor

Treating My Addiction

I have an unfortunate addiction, to something most writers use very sparingly. I am addicted to the semicolon.  Honestly, how often do you see a semicolon in most pieces of fiction? I use at least one for every story, blog post, and chapter.  I say, “at least one”, but I’m minimizing the hold this tiny punctuation mark has on me.  My beta readers despair, and my editor patiently makes repeated suggestions on how to replace ninety-five percent of the semicolons I’ve used. So we’re going to study this devious, little piece of punctuation together.

The most basic description/explanation of the semicolon I can find comes in two points.

1. It can be used to replace “and”, or other conjunctions, when linking one complete sentence to another.

2. It can be used to separate complicated items, listed in a sentence.

Let’s look at the first point in more detail.
Uh oh! Two complete sentences? So that’s what I’ve been doing wrong all this time! I’ve been using the semicolon as kind of a long pause between a complete sentence, and an elaboration on the sentence.  I was wrong. Unless the original sentence and the elaboration can stand alone, as a logical, complete sentence, the semicolon should be a comma.

The two sentences thus joined should be a cause and effect situation, or a comparison.  In either case, the sentences must be clearly related in subject.

Let’s look at a few examples.
You could write: “The doctor ordered several x-rays, but there were no broken bones.”
Or you could write: “The doctor ordered several x-rays: there were no broken bones.”
Both versions of the sentence are correctly punctuated.

You could write: “The girl’s bicycle was red, and her helmet was blue.”
Or: “The girl’s bicycle was red; her helmet was blue.”
Again, both versions are acceptable.

So, when is it not acceptable.  According to what I’ve researched and confirmed by “Webster’s New World Punctuation”, if the two parts of the sentence are not clearly and logically connected, a semicolon is not appropriate.

A reasonable example of this would be: “The girl’s bicycle was black; the sun was beginning to set.” The relationship between the black bicycle and the sunset is not clear, making this an improper use of the semicolon.
This is better: “The girl’s bicycle was black, making it difficult to see in the dark; the sun was beginning to set.”
This is best: “The girl’s bicycle was black, making it difficult to see in the dark. The sun was beginning to set.

Some writers might attempt to link those last two sentences with a comma. That would be an error.  Using a comma to connect two complete sentences is comma-splicing, resulting in run-on sentences. If both parts could be a complete sentence on their own, a semicolon or conjunction are the proper choices.

Now this may seem like a dry blog to some of you, but I’m relearning this material as I’m writing, so I hope you’ll bear with me. We have one more example of this first point to cover. A semicolon may precede a connection adverb, (therefore, then, next etc.), but again, only if the two parts can function independently as sentences, and are clearly related in subject matter.

Here’s an example of the correct usage:
“Sally didn’t get her homework done on Friday; therefore, she wasn’t allowed to go to the party on Saturday night.”
Without the semicolon, the two parts must be separated into two sentence. (A side note: the comma following the adverb is considered a matter of style, not necessity.)

The second part of the definition of a semicolon is much simpler. When writing a sentence with several, complicated items listed, a semicolon serves to distinguish the items as separate entities.  Let me give a clearer picture of this phenomenon: “Chad’s suitcase was packed with a large, blue beach towel; a crisply ironed, white dress shirt; one pair of black trousers; one, blue pair of shorts; one, red T-shirt; two pair of socks; one pair of sandals; one pair of dress shoes; a yellow Speedo and one bottle of sunscreen.”  If a comma were used to separate the items in Chad’s suitcase, the reader would get hopelessly lost.  If your sentence includes even one item with a comma in the description, the semicolons are required to divide the items.

The semicolon does one more, dastardly thing to confuse readers and writers, alike. When it’s used to join two sentences, where the first ends in parenthesis or quotation marks, the semicolon is place outside of the parenthesis or quotation marks. What a sneaky little semicolon; no wonder it’s so seldom used!

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Earthlink: Impact – New Sci Fi series.

New Release – on Kindle only initially, as part of an experiment, more on that in another post on another day…

Earthlink: Impact.

Sci fi, with a troubled teenager, aliens and spaceships.

Earthlink: ImpactAmazon UK: 5 Star Review: What if they are up there, monitoring us, and the planet? What if the planet has grown, developed, become conscious in some way? What if just one person could hear that consciousness in pain? What if that one person had just crashed a stolen car after a night of drink and drugs?

Sage is eighteen years old and, ever since she can remember, there’s been a voice in her head. She’ll tell you that she doesn’t hear voices, they don’t tell her to do anything. It’s just a single voice, and it doesn’t speak, it screams. She hears an unending scream as if the voice is someone in constant agonising pain.

She’s been told she’s hallucinating. She’s spent time in psychiatric care and on strong drugs that cut her off from her feelings, and she hates all of it.

But she’s not hallucinating, the voice is all too real and Sage has been watched for years in the hope that she’s not the only one who can hear. When Sage puts her life in danger, and it’s clear that she is unique, intervention is necessary.

Earthlink is the new sci fi series from Sarah Barnard, and book 2; Earthlink: Safe Havens, is in progress and planned for release soon.

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Filed under New Releases, Sarah Barnard, Sci Fi

Happy, Belated, Birthday To Me!

It’s that time of year again. The blessed day that I was born so many, many years ago. On such a blessed day could their be any more wonderful celebration than another book release and give away! I think not.

Now “Ash of Ambitions” is available on Amazon.com and, thanks to KDP Select, this time I’m able to give away free copies to all my kindle using readers. I’m super excited! Follow the links and be sure to grab yourself a copy of the book while it’s still free because like my birthday, this kind of awesomeness only comes around once a year for a very limited time.

Rin Tyler is the mysterious, well off, oldest daughter of the Tyler family. The next best thing to a rich, reclusive uncle – or so her four siblings think.

Ash is the code name of a Cleaner, a person called in to remove trace evidence crime scenes for those on the wrong side of the law, with a particular love of fire. Cool, capable and detached to a fault – or so the people she works with think.

When the two sides of the same woman’s personality collide it can only end in flames…

Ash of Ambitions” now on Amazon. Oh, and if anyone wants to give me a present – I’d love to hear what you think of the book! Please post your reviews!

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Filed under Members, New Releases, Paranormal, Y K Greene

Am I Working on a Sequel?

Four Years from Home

 

A question many have asked (if you count 3 as many). I am indeed working on a sequel toFour Years from Home. After kicking around some ideas and writing two semi-failed attempts over the last year, I am well into the next sequel try – a kind of sequel to the third power.

Some I have discussed the process with feel that writing a sequel is as simple as this:

The Sequel

But I have broken down the actual process into three steps and dramatically visualized it here for you:

1. Implanting the seed.
2. Hatching the idea.
3. Living with the gross.

 

The real sequel

 

But, in the end, it is the writer who must be happy with the effort and the results, and the writer who must at all times keep in mind that no matter how good something is there will always be critics.

I'll have nun of it

 

 

Larry Enright was born to Irish Catholic first-generation immigrants and raised in Pittsburgh, Pennsylvania. After college, he moved to the Philadelphia area where he has filled his life with many careers including teacher, musician, computer programmer, researcher, and writer. He has published three novels.

Four Years from Home (2010)a mystery of discovery and redemption, is his first published work  and was a best seller on Amazon for 9 months.

A King in a Court of Fools (2011), a story of kids being kids in a time when things were simpler and every day was an adventure, was originally published as a serial novel.

Buffalo Nickel Christmas (2011), a young man’s remembrance of a Christmas a long time ago, is a Christmas story for everyone.

Visit his site -> http://www.larryenright.net/

 

 

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